VOTE FOR TWILIGHT NOW!!!
We have been nominated in DOZENS of categories this year! Including Best Director of a Play (Dorinda Toner, Chris Murphy, & Tobias Anderson), Best Sound Design (Lola Toner), Best Featured Actor (Chris Murphy), Best Ensemble of a Play (Marat/Sade & How I Learned to Drive), Best Play (Equus, Elephant Man, & How I Learned to Drive) and many MANY more! Please take the time to vote for us today. Last year we won Best Play with Venus In Fur! What can we win this year?! We need your help!
What is happening at our theater
SEASON 2020 ANNOUNCED!
2019 has been an exciting year for Twilight Theater Company, and 2020 promises to be even better. At our Season Announcement Party on Saturday, September 28th, our Producing Artistic Director officially unveiled her exciting new 2020 theme: Encounters. Click the button below to check out the entire new season, which includes 8 Main Stage shows and 3 new plays in our continued Reader's Theater Series! Learn More About Season 2020!
December 6th - 22nd
Sullivan and her student, blind and mute Helen Keller. The Miracle Worker dramatizes the volatile relationship between the lonely teacher and her charge. Trapped in a secret, silent world, unable to communicate, Helen is violent, spoiled, almost sub-human and treated by her family as such. Only Annie realizes that there is a mind and spirit waiting to be rescued from the dark, tortured silence. With scenes of intense physical and emotional dynamism, Annie's success with Helen finally comes with the utterance of a single, glorious word: "water."
Sunday, December 8th, 1pm
Monday, December 9th, 7pm
Having recently graduated from a major conservatory, and with a rocker boyfriend on the brink of stardom, aspiring composer Amanda Blue’s “extraordinary life” seems to be all mapped out. But when she’s called home to answer her mother’s distress call about a [marriage in crisis/marital crisis], Amanda’s grand plan starts to unravel. A Feminine Ending is a bittersweet play about dreams deferred, loves lost, and learning to trust a woman’s voice in a man’s world